He raranga rau tāngata, He rangahau rau kōrero, He rau rangahua ka puta. Woven outcomes through the binding of people, purpose, and possibility.
POU UARA
Our Values
Tuku Māramatanga
The Exchange of Understanding
Manawaroa
Resilience
Kahupapa
Collective Direction
Whakawhanaungatanga
Collaboration
NGĀ TŪĀPAPA RANGAHAU
Research Themes
Tuakiritanga
Identity
Rau Whakaaro
Composites
Tikanga Toi
Methodology
Whakawhitinga
Intersections
TE WĀHI KI A RAU
Rau grounding
Textiles research at Auckland University of Technology | Te Wānanga Aronui o Tāmaki Makau Rau (AUT) is embedded across schools and disciplines. The evolution of RAU in the School of Art and Design stems from AUT’s Textile and Design Lab (TDL), established in 2006 with the support of Tertiary Education Commission funding under the Government’s Innovation and Pilot Initiative scheme. This initiative fostered a community of textile students, researchers, and industry partners in Aotearoa and across the globe, nurturing a myriad of design practices and textile-based careers.
Building from this foundation, RAU places textiles research at its core, exploring textile practices as a scaffold through which contextual and cultural practices are held.
Ko Ingoa
Our Name
RAU
The name RAU contains layers of meaning, reflecting a mosaic of connections and considerations bound together and intertwined to form a stronger entity.
Intrinsic connection to one another is pertinent within the meaning of this kupu as it presents a multiplicity of translations, analogised as the hundreds of leaves which comprise a tree. In isolation the distinct qualities of each leaf are absolute, but when collated, a new form emerges – carrying with it a library of diverse histories, experiences, kōrero, and traditions.
Here, the kupu rau lends itself to the iho of this kaupapa, and the practice of weaving as various types of fibres, technologies, methods, people, and knowledge become bound as one. We liken this to the act of gathering, collecting, and sourcing information within a research framework to craft a comprehensive and layered narrative of findings. This gathering strengthens and grounds an innate sense of self, belonging, and place as it moves boldly into the future.
We see the presence of rau throughout the passage of time —rau mahara (past), rauhī (present), and raurangi (future) — mirroring the historical and contemporary structures present within textility and research. The very essence of our ingoa, and overarching kaupapa, calls on us to actively respond to these many strands of inherited meaning within their makings, findings, and self.